Musicality of Youmans
The Musicality of Vincent Youmans
Buy now from Jay Records
Digital Dowload Links
You may also like
In the 1920s, Vincent Youmans led a vanguard of fresh innovative songwriters whose melodies and shows were revolutionizing Broadway. Youmans, along with his peers Rodgers, Gershwin and Berlin, established a new sound of American popular music, and revitalized Broadway in the process, ushering in its first Golden Age. Widely regarded as a master melodist, Youmans’ modern and streamlined melodies were tailor made for the jazz age, perfectly underscoring its racing pulse and optimistic American attitude.
Vincent Millie Youmans was born in 1898 into a wealthy New York City family. He found music at an early age, and, declining to take over the family’s hat business, pursued music instead. Like George Gershwin before him (they were born one day apart), his first entré to the music business was as a song-plugger for a sheet music publisher, and then as a rehearsal accompanist for shows, in his case Victor Herbert operettas. His gifts were obvious, and success came quickly. At the age of 23, he landed his first Broadway composing credit with Two Little Girls in Blue (1921), which enjoyed a modest run, and generated two song hits. Youmans wrote music for half the score, teaming up with an equally young Ira Gershwin who penned the lyrics under the non de plume Arthur Francis. Two years later, Youmans enjoyed his first hit show with Wildflower (again sharing composing duties) with lyrics this time by Oscar Hammerstein II. Both shows yielded hit songs for the young composer, and producers took notice. Later that same year, Broadway saw his Mary Jane McKane (co-composing again, with lyrics by Hammerstein) and Lollipop, (lyrics by Zelda Sears), which was his first solo composing credit. In 1924, his career exploded with the worldwide success of No, No Nanette, and the entire world was soon dancing to Youmans’ music. Fifty years later, Broadway again embraced the show in an effervescent revival directed by Busby Berkeley. Utilizing the sparkling orchestrations created for that 1971 production by Ralph Burns, Max Von Essen and Jessica Boevers duet on “Tea for Two”, which is followed by the first complete recording of Luther Henderson’s spectacular dance arrangement for the song. Also from that revival is “Where-Had-My-Hubby-Gone Blues,” sung by Tony winner Beth Leavel and men’s chorus.
No, No Nanette brought Youmans an unprecedented fame. He was recognized as a master melodist, and a leading light on Broadway. His next show was a star vehicle for Bea Lillie called Oh, Please! (1926), which wasn’t a success, although it offered the hit song “I Know That You Know”. In 1927, Youmans had another smash, and this time he produced the show as well. For Hit the Deck! he teamed with lyricists Clifford Grey and Leo Robin, and reunited with Louise Groody, star of No, No Nanette. With its rowdy sailors and onboard hijinks, this “nautical musical comedy” provided a stimulating vehicle for the composer, who again delivered a knockout score. Its two hit songs were “Sometimes I’m Happy,” here crooned by Nancy - Aaron Gandy
TEA FOR TWO
The complete TEA FOR TWO (including the First Complete recording of the Dance sequence (song orchestrated by Ralph Burns and the dance by Luther Henderson) from the 1971 Broadway Revival version of NO, NO,NANETTE. The song is sung by Max von Essen and Jessica Bogart with the National Symphony Orchestra conducted by Aaron Gandy.
This is the bonus track on the forthcoming release of The MUSICality OF YOUMANS by JAY Records. The CD and the download from iTunes will be available on October 16 onwards. This 9’11” track will not be downloadable as a single track but will be part of the album download.
To mark the release of this new MUSICality CD, a celebratory offer of all the previous MUSICality CDs at the special price of $5.99 will be available directly from www.jayrecords.com for Two Months from the October 16 release date.
Enter you email address to be reminded of the release of this title and special offers on this and other recordings
- WITHOUT A SONG (Great Day)
- MORE THAN YOU KNOW (Great Day)
- RISE AND SHINE (Take A Chance)
- SOMETIMES I'M HAPPY (A Night Out)
Matt Bogart and Nancy Anderson
- TEA FOR TWO (No, No, Nanette)
Max von Essen and Jessica Bogart
- I WANT A MAN (Rainbow)
- WHY, OH WHY? (Hit The Deck)
Karen Ziemba and Girls
- TIME ON MY HANDS (Smiles)
- MUSIC MAKES ME (Flying Down To Rio)
- WHERE HAS MY HUBBY GONE BLUES (No, No, Nanette)
Beth Leavel and Men
- FLYING DOWN TO RIO (Flying Down To Rio)
- HALLELUJAH (Hit The Deck)
Kim Criswell and Chorus
- TEA FOR TWO (Complete Version) (No, No, Nanette)
Max von Essen and Jessica Bogart